The crew numbered six people in total. I served as the director of photography and was responsible for all cinematography. In that role I coordinated camera setups, chose lenses and framing, managed lighting plans, and operated the primary camera during principal photography. I collaborated closely with the director to establish the visual language of the project—defining shot composition, camera movement, and color palettes that supported the story and tone. I also supervised the camera and lighting crew, delegated tasks, ran camera tests, and maintained equipment to ensure reliability on set.

Beyond technical duties, I contributed to preproduction planning by participating in location scouts, creating storyboards and shot lists, and advising on production design to ensure visual continuity. During each shooting day I adjusted lighting and camera settings to respond to changing conditions, coached actors when necessary for eye-lines and movement, and worked with the gaffer and grip to implement complex rigs and dollies. After wrap I delivered organized footage and technical notes to the editor, provided dailies reviews, and collaborated on color grading decisions to achieve the final cinematic look.